Bon Iver • Bon Iver is a Grammy award-winning American folk band founded in 2007 by indie folk singer-songwriter Justin Vernon. In addition to Vernon the band includes Michael Noyce, Sean Carey and Matthew McCaughan. Vernon released Bon Iver’s debut album, For Emma, Forever Ago independently in July 2007. The majority of that album was recorded while Vernon spent three months in a cabin in northwestern Wisconsin. Bon Iver won the 2012 Grammy Awards for Best New Artist and Best Alternative Music Album for their self-titled album. The name Bon Iver is derived from the French phrase bon hiver, meaning "good winter" or "have a good winter".
“Bon Iver is often equated with just me,” says Vernon, “but you are who surrounds you, and for Bon Iver, Bon Iver I wanted to invite those voices as musical catalysts.”
Thus on the track “Beth/Rest” and throughout the album, we hear the pedal steel guitar of Greg Leisz (Lucinda Williams, Bill Frisell), the uniquely layered low end of Colin Stetson’s (Tom Waits, Arcade Fire) saxophones, the riffing of Mike Lewis’ (Happy Apple, Andrew Bird) altos and tenors, and the lush horns of C.J. Camerieri (Rufus Wainwright, Sufjan Stevens).
Bon Iver regulars Sean Carey, Mike Noyce and Matt McCaughan contributed vocals, drums and production, Rob Moose (Antony and the Johnsons, The National) helped with arranging and added strings, and fellow members of Volcano Choir, Jim Schoenecker and Tom Wincek provided processing.
Bon Iver, Bon Iver was recorded and mixed at April Base Studios, a remodeled veterinarian’s clinic located in rural Fall Creek, Wisconsin. The main recording space is constructed over a defunct indoor pool attached to the clinic. “It’s an unique space and destination; it’s our home out here,” says Vernon, who purchased the structure with his brother in late 2008 with the sole intention of converting it into his ideal recording studio. “It’s been a wonderful freedom, working in a place we built. It’s also only three miles from the house I grew up in, and just ten minutes from the bar where my parents met.” The creation of Bon Iver, Bon Iver was a three-year process, and Vernon says the completion of the studio paralleled the completion of the album. “I was writing and recording in the windows of time snatched between tours in support of For Emma,” he says. “When I finally came home to hunker down for a solid stretch there was a feeling of solid ground and an opportunity for liberation waiting in the space for me.”
In the absence of solid ground, the whirlwind becomes a whirlpool, and Bon Iver, Bon Iver is Justin Vernon returning to former haunts with a new spirit. The reprises are there – solitude, quietude, hope and desperation compressed – but always a rhythm arises, a pulse vivified by gratitude and grace notes, some as bright as a bicycle bell. The winter, the legend, has faded to just that, and this is the new momentary present. The icicles have dropped, rising up again as grass.
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